I am absolutely exhausted lately. I have precious little hope or prospects, but my willingness to be generous and sharing has in itself become a major, major fault. Is what normies refer to as love a willingness to put oneself in an awkward position for the minimal benefit of others? I honestly do not know, but I am altogether tired of being in an awkward position. I look upon my life and think that I want to go home and rethink it. Then I realise something that Billy Bob Thornton said so well in Bad Santa. It is too late to start over. Continue Reading
bad santa
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There are three basic types of scene other than exposition that are essential to any fantasy novel (or science fiction, or war, or spy, you name it). Battle scenes, if written well, can keep the writer going for as much as a tenth or even a fifth of the total length of their novel. But one of the big challenges of writing a battle scene, to put it simply, involves investing enough development in your characters to make your audience care about them. Exposition scenes are one way to make this investment. In fact, in the early stages of your story, they tend to be the only way. Explaining to your audience why it is that one character cares enough about the other to invest the time to get to know them helps the audience to care about that character enough to care when something significant happens to them. Telling the audience a story about why a character does what they do, and why they do it a certain way, is also a good way to deliver exposition. It is not enough to tell an audience that your veteran character is obsessive about washing himself. You have to explain that during, say for example the Battle Of The Sleeping Village, a particularly troublesome event resulted in him spending hours stuck inside the rotting carcass of a River Troll. Hence, he now washes his entire body in hospital-grade soap at least once after every time he spends a significant period of time outside of his home. Continue Reading